Souffloppe

...and when your favourite song comes on, you know the one, with the meaningful lyrics, you'll finally, after keeping quiet all this time, sing along to it with your eyes closed and maybe someone will notice and think that the song has deep inner meaning for you, and that maybe you're singing along because quietly inside you're being affected in ways no one else in the room will ever be affected, and maybe they'll look at you with awe and a better sense of who you are. Snap out of it. They're all doing the same thing you are.

I was going to write a poem about a girl I know who cried in my arms for a while. I didn't know     what to do     how to make it better so I would have called the poem "The Storm". It was going to be about     how storms last a long time     how you can't stop them     how you have to wait them out and it would have been clever because it would have shown people     how it lasted a long time     how I couldn't stop it     how I had to wait it out and I would have made a clever reference to how the thoughts in her head were like a raging storm. But I can't write poems so I wrote this instead. It conveys the sam

while (true) {    print ("I love you. "); }

private void life() {    while (person != 0) {        Experience event = new Experience();          if (event.outcome() == death) {              person = 0;          } else {              person = person + event.outcome();          }    } }

Program Llorkcir {  string a = "never gonna";  string b = "you";    for (int i = 1; i > 0; i++) {      println(a + "give " + b + " up");      println(a + "let " + b + " down");      println(a + "run around and desert " + b);      println();      println(a + "make " + b + " cry");      println(a + " say goodbye");      println(a + " tell a lie and hurt " + b);    } }

Program Group_Mentality; VAR    Person: PersonType[];    Dissenter: Person;    Leader: Person; /*--------- FUNCTION opinion(Person)    OUTPUT (Rand(100)); END; ---------*/ /*--------- BEGIN          REPEAT { IF (Person[1].opinion == Person[2].opinion THEN      EXIT; ELSE      IF (Person[1].opinion > Person[2].opinion) THEN          Dissenter == Person[2];          Leader == Person[1];      ELSE          Dissenter == Person[1];          Leader == Person[2]      ENDIF ENDIF FOR (int i = 3; i

West of House You are standing in an open field west of a white house, with a locked front door. >inventory You are carrying:    A heart >west There is a girl here. >talk She won't answer. >plead She won't answer. >apologise It's too late. >west The hill turns abruptly into a cliff. There is a house in the distant east. The abyss is very deep and dark; you are likely to be eaten by a grue. >down You hurl yourself off the cliff. Your heart shatters before you hit the ground. You are dead. Your score is 0 (total of 100 points), in 7 moves.

What he's thinking during the movie: Does she like me? I should find out somehow. What should I do? Is she trying to hint something? Give a sign? What'll I do? Should I give my own sign? What if I put my arm right here, just like this, maybe she'll pick up on it and grab it? Five minutes, ten, nope, she's not doing anything, does she want me to grab hers? C'mon, c'mon, please, please, given me a sign! If she does and I don't, then that's an opportunity missed, but if I do and she had no thoughts of anything like that then she'll shrug me off and probably never speak to me again. What can I do? Should I lean in closer to her? Maybe she'll hug

class alcohol{       private int vision;       private int lag;       private int mental_defence;       private int happiness;       private int health;    public static void drink(person){        if ((happiness

Dear somebody... wherever you are. Where are you? Are you real? I spend every day thinking about you, and you don't even exist. There are so many things I want... I want to call you at three in the morning and find that you were up late, thinking about me too, and wishing that we were together even if I'd just seen you that day. I want to catch a bus with you and just take it, wherever it goes, without worrying about the time or commitments. I want to drive for hours into the night with you, listening to mix cd's on low volume, the rain casting mottled, moving little shadows over your skin as the soft reflection of the headlights pours t